2025 - A Life Through Books

Tuesday, November 11, 2025

Virtual Book Tour: Pintsized Pioneers at Play by Preston Lewis #giveaway #excerpt #historical #youngadult #nonfiction #rabtbooktours @prestonlewisaut @RABTBookTours
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Homemade Frontier Fun and Danger written by Preston Lewis and Harriet Kocher Lewis


Young Adult Nonfiction

Date Published: 11-04-2025

Publisher: Bariso Press



Pintsized Pioneers at Play: Homemade Frontier Fun and Danger explores the forgotten world of how kids lived, laughed—and sometimes limped—through their childhood years in the Old West.

While their parents settled the land, these pintsized pioneers explored it, creating their own adventures with homemade toys, daring games, wild animal encounters, and risky escapades. This engaging sequel to the award-winning Pintsized Pioneers: Taming the Frontier, One Chore at a Time shines a spotlight on the joys and perils of play in a land still being tamed.

From exploring the prairie and wrangling critters to celebrating frontier holidays and watching traveling circuses, this book reveals how children carved out fun and entertainment in a rough-and-tumble world. Learn how railroads and mail-order catalogs brought new toys, how schools and churches doubled as social hubs, and how a simple game could end in laughter—or injury.

Written for young adults but fascinating for readers of all ages, Pintsized Pioneers at Play is packed with history, heart, and a hint of danger. Written at a tenth-grade reading level perfect for curious minds, Pintsized Pioneers at Play includes a glossary of related terms.

Perfect for fans of Western history, educators, homeschoolers, and lovers of untold American stories!




Excerpt

Not even Christmas Day could rouse John Taylor Waldorf from his bed at two o’clock in the morning, but the annual arrival of the circus train in Virginia City, Nevada, was a different matter altogether. Waldorf and his friends arose early and willingly on circus day when on any other morning it “would require at least three calls and the threat of a ‘dose of strap oil’ to make me crawl out from under the covers.”

And why not? The circus provided an entertaining escape from daily hardships, much like the frontier theater, but much more exciting, as it combined the elements of an art exhibit, a traveling zoo, a professional band, a parade, a sideshow with oddities, a gymnastic meet with acrobats and aerialists, an equestrian show, a fashion show with performers and animals in exotic costumes, an occasional history lesson, and a three-ring environment awhirl with amazing activities and prankish clowns.
“Several thousand people are in the city from neighboring towns and from the country,” proclaimed the Evening Kansan of Newton in May 1897. “Circus day is equal to any legal holiday of the year, and today might have been a legal holiday so far as appearances were concerned. Nothing is quite of so much interest to everybody as a circus.”
The spectacle offered children a brief glimpse of the world beyond the boundaries of their farms or small communities. A circus was a childhood delight, allowing frontier youngsters to see exotic animals like elephants, lions, tigers, camels, zebras, monkeys, and even an occasional rhinoceros, giraffe, or hippopotamus.



About the Author

 

 Preston Lewis is the award-winning author of more than sixty western, historical, juvenile, and nonfiction works. In 2021 he was inducted into the Texas Institute of Letters for his literary achievements. The Will Rogers Medallion Awards named him the 2025 recipient of the organization’s Lifetime Achievement Award for his contributions to the literature of the American West.

Western Writers of America (WWA) has honored Lewis with three Spur Awards, one for best article, a second for best western novel and a third one for YA nonfiction in 2025. He has received eleven Will Rogers Medallion Awards (seven gold, two silver and two bronze) for written western humor, short stories, YA nonfiction, short nonfiction, and traditional Western novel.

Harriet Kocher Lewis is a retired physical therapist and PT educator. As an assistant clinical professor of physical therapy at Angelo State University, she taught documentation and scientific writing among other topics as the department’s coordinator of clinical education.

After retirement she became the publisher of Bariso Press and in that capacity an award-winning author and editor. Books she has edited have earned a Spur Award, Will Rogers Gold and Bronze Medallions for YA nonfiction and western humor, a Literary Global Book Award for cookbooks, and an Independent Author Award for western nonfiction. Other books she has edited have been finalists for Spur Awards in juvenile nonfiction and for Independent Author Awards for both memoirs and humor.

Kocher Lewis is co-author with her husband of the Spur Award-winning Pintsized Pioneers: Taming the Frontier, One Chore at a Time and three books on artificial Intelligence, all published by Bariso Press. They live in San Angelo, Texas.

 

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RABT Book Tours & PR
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Monday, November 10, 2025

Virtual Book Tour: The Lavender Blade by E.L. Deards #audiobook #romantasy #interview #rabtbooktours @RABTBookTours
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M/M Romantasy

Date Published: Jul 8, 2025

Publisher: She Writes Press

Narrator: Nicholas Boulton

Run Time: 10 hours



Colton and Lucian make a living conning the desperate with fake exorcisms—Lucian is the charm, Colton the trick, and together, they’ve turned deception into survival. Their work is dangerous, their romance even riskier, but they’ve always found a way to stay ahead.

Until Lucian is truly possessed.

A powerful demon takes hold, twisting his body into something unnatural, horrific, wrong—and no priest, no con, no desperate lie can fix it. With time running out and Lucian slipping further away, Colton has no choice but to learn real magic, break every rule, and attempt the impossible.

Because if he fails, Lucian won’t just be lost. He’ll be something else entirely.

 

 


Interview

What is the hardest part of writing your books?

Revising, definitely. Keeping the pacing consistent while still expanding scenes and world building can be a challenge, especially because I’m not naturally a very descriptive writer. Balancing it with my vet work is also tough. I’m in the middle of a surgical residency at the moment and it’s pretty full on, so creative time has taken a hit. I’ve got a lot of ideas waiting for when things calm down a bit.

The hardest part mentally is the insecurity that comes with trying to stand out, and marketing. I want to write books that people actually enjoy and connect with, and that pressure can feel heavy sometimes. Actually trying to sell products and be influencer adjacent is not natural for me and so has been a big adjustment.

 

What are your most played songs?

When I’m writing I usually avoid lyrics, because they pull my brain in two directions at once. I like soundtracks, instrumental music, that sort of thing. Viking-style metal is great when I need energy, and ambient scores help me stay focused. The one exception is Beautiful is Boring by Bones UK, which I used to play constantly while writing Lucere, the demon character in The Lavender Blade. It’s got this swaggering, self-obsessed feel that fits him perfectly, like he’s admiring himself in the mirror and enjoying every second of it.

 

Do you have critique partners or beta readers?

I work with an editor, and my mom also helps with editing. Every now and then I’ll send a few chapters to friends, though I know it’s a big commitment to read and give feedback in detail. 

Having a good editor is so critical to writing; she challenges me and gives me the tools I need to be a better writer every time I start a project.

 

What book are you reading now?

A friend lent me Lord Foul’s Bane by Stephen R. Donaldson. I’m trying to get through it but the main character is a pervy creep who complains all the time. You know when someone you like recommends a book or a YouTube video and you really want to enjoy it for their sake, but it’s painful? It’s a bit like that. It’s from the late seventies and you can tell. I’m also reading Swimming in the Dark by Tomasz Jedrowski, which I’m enjoying a lot more. It’s beautifully written and much more my style.

 

How did you start your writing career?

I just wrote. I’ve been writing almost every day since I was about thirteen. It’s how I process things, how I understand people, and it’s always been the most natural way for me to be creative. Eventually those stories became books, and eventually some of them felt good enough to publish. I wouldn’t say I have a “career” exactly, since I’m still a small indie author, but I’m learning and trying to build something one book at a time.

 

Tell us about your next release.

I’d love to write a sequel to The Lavender Blade, to expand the world a little bit and delve deeper into the actual magic in Colton’s heritage.  I want to dig deeper into world building this time and create a setting that feels dark, new, and alive. I’m excited to keep exploring, plus I miss my little goofballs.  



About the Author

E.L. Deards grew up in New York City and earned her undergraduate degree at Barnard College at Columbia University, where she studied Japanese literature and biology. She was then accepted to The University of Edinburgh, where she completed her veterinary degree. She remained in the UK afterward, and since then has split her time between her day job as a vet and her truest passion: writing. Emma has authored a number of humor articles for In Practice, a veterinary magazine, and was the recipient in college of two writing awards: the Oscar Lee Award and the Harumatsuri Award. Her first book, Wild with All Regrets, came out in 2023.

 

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RABT Book Tours & PR
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Teaser: Invisible Monsters by Angela Knight #excerpt #comingsoon #scifi #scifiromance #rabtbooktours @ChangelingPress @AngelaKnight @RABTBookTours
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Sci-fi Romance, BDSM, Second Chances

Date Published: November 14, 2025



Can two Rangers find love when they’re haunted by invisible monsters -- inside and out?

 

Earth civilians are obsessed with selfies and social media, but my life revolves around alien starships, superhuman strength, and A.I. implants. Too bad none of it helped when I was captured and tortured. Now I crave revenge, but as a genetically engineered Ranger, I must obey Mothership’s rules: protect humanity. Never kill.

When another alien ship sends monsters to invade Earth, Mothership’s Rangers must stop them. My new Ranger teammate is everything I shouldn’t crave: handsome, skilled, and haunted by his own dark past. He helped rescue me from torture, but it cost him his entire team. Now I’m the mess he’s got to clean up.

 

Battling invisible monsters may be the death of us, but our mutual attraction is undeniable. Can we stop an alien invasion despite our dangerous chemistry?

 



EXCERPT

 

Present Day

Diana

I stared at the screen, watching the Earth grow larger as our transport raced toward it. Even after two months as one of Mothership’s Rangers, the sight reminded me how strange my new life had become. Down there, people were obsessed with selfies, celebrities, and social media. I’d plunged into a world of giant alien starships, AI brain implants, and super-strength.

And worse.

An image flashed through my head -- the sadistic grin on Roger Bannon’s face as he leaned in, the surgical drill whining as it spun. I’d fought not to scream as the drill bit in.

Roger loved it when I screamed.

I shoved away the memory, hard. If I wasn’t careful, that thin face with those pale, rabid eyes would start running through my head on an OCD loop. “I should have killed you when I had the chance,” I muttered.

Next to me, Ian Cartwright turned to give me a narrow stare. “What did you say?”

Damnit, Diana, you’re not supposed to creep out your battle buddy. “Bad memories.”

His expression softened, ice-blue eyes going a little less chilly. “I can imagine.”

No, you really can’t. I didn’t say it aloud. Cartwright already thought I was a human hand grenade just waiting for somebody to pull my pin. The team didn’t need that kind of distrust, especially in the middle of an op.

I looked away to see Indra Fox watching me in concern. Crap, I’d even freaked her out. She and our team leader, Rowan Kerr, sat on one of the other bench seats beside the huge oval screens that lined the transport’s curving fuselage.

Indy had been my best friend all my life, my sister in every way but blood. She could read me as if she were telepathic. “Having a flashback?” She tilted her head, long, dark hair swinging around her face, green eyes startling against the silken fall of black. Like me, Indy had a tough, athletic build from the combat and strength training we’d had from the time we could walk. Our dads hadn’t been fooling around.

“I’ve got it handled.”

“Cyberpunk could block those if you’d let him.”

She was right -- my AI brain implant could suppress the firing synapses that triggered those memories. “I’m not going to give Roger the satisfaction.”

Rowan Kerr snorted. “Satisfaction’s the last thing Bannon’s feeling.” Our team leader was even bigger than Cartwright, though his features were less classically handsome, with the rich golden coloring of his Latino heritage. His angular features and intense gaze made him look like he’d escaped a temple in ancient Greece. “If he even thinks about what he did to you, he’ll get a one-way trip to PTSD hell. Pissing Mothership off is never a good idea.”

“She still turned him loose. He could try it again.” That’s why I dreamed of killing him, First Reg or no First Reg. If Bannon was dead, he’d never come back.

Cartwright gave me a frustrated glower. “Newman, he can’t. His conditioning won’t let him. If you violate the First Reg again, you’re going to find out why -- the hard way. You’ve used up the only second chance you get.”

That just pissed me off. “If Mothership had rescued Indra and me when Satan’s Horsemen murdered our --”

“How about not starting a fight in the middle of a mission?” Rowan interrupted. “We’ve got a child and his family to rescue. Preferably before the damn Boars grab them.”

I shut my mouth so fast, my teeth clicked. I’d seen the file photo in Aiden Scott’s dossier. Just eight years old, the kid had huge brown eyes in a pale, round little face under a flyaway mop of dark hair, his grin wide and white and missing a couple of baby teeth.

When Aiden was diagnosed with a high-risk medulloblastoma at age four, doctors treated the brain tumor with surgery, chemo, and radiation. He’d still relapsed three years later. The boy would probably be dead now, except Mothership spotted his family’s medical GoFundMe. She’d sent a Ranger team to the Scott family with an offer to heal Aiden. His parents hadn’t looked a gift miracle in the mouth -- just packed him up and flown off with the Rangers.

Giant alien spaceships are a lot less scary than losing a child.

Mothership’s doctors had infused Aiden’s body with nanotech -- molecule-sized bots that hunted down every cancer cell in his body and killed them all. Then the tech corrected the genetic condition that caused the cancer while healing the damage it had inflicted. He’d been healthy and happy within three months.

But that nanotech also made him a tempting target for the Boarosans who’d invaded the solar system a decade back. The humans whose bodies the Boars used as unwilling hosts were as vulnerable to disease as everyone else, and the aliens wanted to keep their meat suits healthy. That was why they’d ordered the Horsemen to kidnap me, why Bannon and his “researchers” had cut me, scarred me, peeled me so they could watch my tech put me back together. They’d hoped to reverse engineer my nanotech.

They could easily do the same to Aiden. Mothership’s simulations predicted that since I’d escaped, the Boar might well decide to go after the Cured she’d treated.

The idea of that sweet little boy at the mercy of the same aliens who’d given me to Roger…

Rescuing Aiden’s a hell of a lot more important than beefing with my own team. Better mend some fences.

I gave Ian a tight nod. “Sorry for going off on you, Cartwright. Rowan’s right -- an op isn’t the time to get pissy.”

He studied me thoughtfully. Rangers were universally attractive -- Mothership’s genetic engineering at work -- but Ian was even more gorgeous than the typical agent. His face was intensely masculine, all high cheekbones and square jaw, his nose aquiline, his mouth wide, with a lower lip I longed to nibble. He wore his sable hair in a severe style that made him look even harder, sexier, but it was his eyes that pulled me in. An icy blue, they were ringed and rayed in a rich cobalt, watchful and cool. People tend to dismiss a man that pretty, but Cartwright was also six-five and built like an NFL defensive lineman. As one of Mothership’s Rangers, he was even more dangerous than he looked.

“I started it.” His voice rumbled in a way that made me yearn to exchange more than snark with him. “Shouldn’t have poked the wound. I’m sorry.”

“Let’s just… start over, okay? The point is getting Aiden and his family to safety.”

His nod was tight and controlled, like everything else about the man. “Works for me.”

 

About the Author

New York Times best-selling author Angela Knight has written and published more than sixty novels, novellas, and ebooks, including the Mageverse and Merlin’s Legacy series. With a career spanning more than two decades, Romantic Times Bookclub Magazine has awarded her their Career Achievement award in Paranormal Romance, as well as two Reviewers’ Choice awards for Best Erotic Romance and Best Werewolf Romance.

Angela is currently a writer, editor, and cover artist for Changeling Press LLC. She also teaches online writing courses. Besides her fiction work, Angela’s writing career includes a decade as an award-winning South Carolina newspaper reporter. She lives in South Carolina with her husband, Michael, a thirty-year police veteran and detective with a local police department.


Author on Facebook

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Publisher on Facebook, Instagram, Twitter, and TikTok: @changelingpress

Save 15% off any order at ChangelingPress.com with code RABT15



RABT Book Tours & PR
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Friday, November 7, 2025

Virtual Book Tour: Real Men vs. Plastic Men by Elbert Jones Jr. #nonfiction #interview #giveaway #rabtbooktours @RABTBookTours
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African American / Nonfiction

Date Published: 08-30-2025



In a society increasingly defined by fleeting trends, social media facades, and a loss of authentic masculine identity, Elbert Jones Jr. challenges readers to look past the surface. "Real Men vs. Plastic Men" is a powerful, thought-provoking guide that dissects the difference between performative masculinity (the "Plastic Man") and genuine character (the "Real Man"). Jones provides actionable advice and deeply resonant insights on building integrity, emotional intelligence, discipline, and true leadership. This book is a necessary conversation starter for anyone seeking to redefine strength and live a life of meaningful impact.

 


Interview

Can you tell us a little about the process of getting this book published? How did you come up with the idea and how did you start?

the process of getting "Real Men vs. Plastic Men" published—that’s a story that involves years of community work long before it became a book. The idea didn't come in a sudden flash of inspiration; it came from decades of observing a persistent problem in our community. As a mentor, a father, and a community leader, I saw too many young men adopting this superficial, fragile identity—the "Plastic Man"—that left them completely unprepared for the real responsibilities of life.

I was seeing too much talent wasted, too many families fractured, and too much potential buried under a pile of ego and pretense. The message of the book first took shape in my sermons and my mentorship sessions. I wasn't just preaching; I was diagnosing a spiritual and social emergency. I started by simply cataloging the differences I observed. I made lists. What does the "Plastic Man" prioritize? (Image, shallow status, immediate gratification.) What does the "Real Man" prioritize? (Integrity, legacy, delayed gratification, accountability.)

As I accumulated my notes, my spiritual insights, and the real-life case studies from my years of counseling, I realized this wasn't just a sermon series; it was a full blueprint. Because I am responsible for the financial deciscisions of KJ Publications, Inc., the process was internal, but it was far from easy. As the author, I had to submit myself to the same rigorous editorial process any other author would. I needed my editorial team to treat me not as the boss, but as the writer, and they did.


Structuring the Argument: The biggest challenge was moving from the rhythmic, emotional flow of a sermon to the disciplined, sequential logic of a non-fiction manual. My editors helped me ensure that the passion was backed up by an unbreakable, practical framework.


The Final Goal: We published it ourselves because we understood the urgency and the specificity of the message. We knew this wasn't a book to be watered down or generalized for a mass market; it needed to be a direct, uncompromising call to action for the men and families in our specific community.



What surprised you most about getting your book published?

So, the book started as a necessity, grew through disciplined observation, and was published with the singular goal of providing a clear path out of the spiritual deficit we’re facing. It was a long labor of love and conviction. B) The biggest surprise, hands down, was how quickly the book stopped being mine and became a tool for the community. The shock was realizing that the readers, particularly the sisters in the church and the mothers in the community, immediately claimed ownership of the core message and began applying it in ways I hadn’t initially envisioned.


I expected men to tell me, "I need to stop performing." What I got was women telling me: "Mr. Jones, this book gave me the language I needed to demand a true standard of character in my own home." They weren’t just reading it; they were using it as a yardstick and a guide for what to accept and what to reject in their relationships. It was profoundly humbling to realize that my work transcended its initial purpose. It went from being a manual for men to being a litmus test for the family and the community as a whole. The book became a mirror that every reader holds up to themselves and their situation.

That feeling—that the spirit and the message you poured out now belongs to the people, and they are using it to build their own lives—that’s the biggest, most satisfying surprise of the whole journey. It elevates the work from a personal accomplishment to a public ministry. C) That is a lovely change of pace, asking about what I do when I put the pen down!




Tell us a little about what you do when you aren’t writing

Well, when I'm not in the thick of things—either writing a challenging chapter for the next book or dealing with the administrative side of KJ Publications, Inc.—I try to balance that serious focus with a bit of necessary soul food. The first thing you’ll find me doing is throwing on some music. And I’m not talking about that new synthesized stuff, no sir. I'm talking about the classics. My go-to is the legendary James Brown. There’s nothing like the raw, powerful energy of "The Godfather of Soul" to cleanse the spirit after a long week. You’ll find me letting those hits play, tapping my foot, and just letting that foundational soul music reset my rhythm.

And to properly enjoy that music, I'll pour myself a glass of good red wine. Just a little something to slow the world down and reflect on the blessings and the battles of the week. Of course, even in my downtime, I’m still an entrepreneur and a family man.


My family—they’re the ones who keep me grounded. They’re the only ones allowed to call me "June." That's my childhood name, and when I hear that, I know I’m home and I’m just "Uncle June" to my nephews and neices or brother to my siblings..


Then there’s my business partner, Darrell King—my longtime friend and the co-owner of KJ Publications. To him and my other close friends, I’m "Jonesie." When "Jonesie" is talking to Darrell, we’re talking strategy, we’re talking about the message, and we’re making sure that KJ Publications, Inc., remains a powerful small press that keeps giving our community the literature it needs. D) "That's a powerful question, and the answer isn't what most people might think. It wasn't the moment I got the email with the book deal—though that was a monumental day, absolutely.

The most pivotal point happened much earlier, and it was the day I made the conscious, difficult decision to stop writing for approval and start writing for courage.

For the first few years, I was paralyzed. Every sentence I wrote was filtered through an imaginary, hyper-critical committee: Is this literary enough? Is this what a publisher wants? Will my English teacher judge this structure? My drafts were sterile, polite, and frankly, boring, because I was constantly self-censoring out of fear of rejection.

The shift came during a period of deep frustration. I was ready to quit. But before I did, I decided to write one last piece of work that I would never show anyone—a piece purely for myself. I wrote the messy, loud, honest story that had been bubbling inside me, using the language I actually thought in, tackling the themes that genuinely kept me up at night, regardless of whether they were 'marketable.'

When I gave myself permission to be that vulnerable, that authentic, the writing finally flowed. The self-doubt quieted down because I had already accepted the worst-case scenario: that this one wouldn't get published.

Ironically, that final, 'unpublishable' draft—the one born of courage, not compromise—is the one that became the book. The pivotal moment was choosing self-expression over self-doubt." "The places where I get my best ideas are actually pretty mundane, but that's exactly why they work. My most potent creative breakthroughs happen when I'm driving home from work, sitting on my deck out back drinking a glass of red wine, or busying myself with the day-to-day business of maintaining KJ Publications, Inc. It might sound counterintuitive—that the COO desk or the evening commute is where inspiration strikes—but I think there are two strong forces at play:



The Brain's Free-Range Time: When I'm actively working on the manuscript, my mind is in 'editor mode.' It's analytical, critical, and focused on structure. The moments I've listed are when the front of my brain is occupied with an automatic task—driving a familiar route, savoring a wine's bouquet, or reviewing a sales report. This frees up the subconscious to make connections. It's in these moments of passive engagement that a character’s motivation suddenly clicks, or an entire scene unfolds itself, unburdened by my internal critic


What is the toughest criticism given to you as an author?

Proximity to Pressure: The reality is, the business of publishing—the budgets, the contracts, the deadlines—creates a lot of background tension. My ideas often stem from finding a creative release for that pressure. Sitting on the deck with that glass of wine, for example, is the designated 'decompression time.' When you actively step away from a problem, the mind often solves it in the periphery. It lets me transform the stress of the publishing world into the energy needed for the writing world." F) "That’s an easy one, though it stung a lot at the time. The toughest criticism I ever received was from my very first reader—not a beta reader, but an early, trusted colleague—who simply wrote in the margins next to a core chapter on accountability: 'I don't care.' It wasn't a critique of my research, my tone, or my grammar; it was a brutal assessment of the book's relevance. When you're writing nonfiction, you're not selling a plot; you’re selling a solution or an idea. Seeing those three cold words—'I don't care'—felt like a dismissal of the entire premise of the book.

But that was the lesson. The person who wrote that wasn't being malicious; they were being honest. They didn't care because I had failed to properly articulate the stakes for the reader. I was too focused on defining what a 'Plastic Man' was, and not enough on illustrating why that definition mattered to the man holding the book and what he had to lose if he didn't change.

It forced me to completely revise the introduction and every key chapter, starting each one by asking, 'What is the reader's immediate pain point?' It made me pivot from a purely academic argument to a deeply personal challenge. It was a brutal critique, but ultimately, it was the single most valuable piece of feedback that transformed the manuscript into a book that truly connects with its audience." G) "Honestly, my best accomplishment as a writer isn't the book itself being published—though watching it hit the shelves was certainly a thrill. It's the moment I realized the book had done its job in the real world.


What has been your best accomplishment as a writer?


He said he read the chapter on 'The Courage to Be Inconvenient,' and it hit him hard. He realized he was so busy trying to manage his employees' perceptions and chasing a number that he hadn't had a real, honest conversation with his own son in six months. He ended the email by telling me he had cleared his calendar that afternoon, went home, and spent the entire evening simply listening to his son.

That was it. No huge media appearances, no giant sales figures. Just one man making a profound, quiet shift in his life because of something I wrote. When an idea moves off the page and changes someone's behavior for the better, that's the real win. That quiet, powerful moment of connection is, without a doubt, my best accomplishment." H) "Zero! I have exactly zero other books sitting around. And that's largely because this book, Real Men vs. Plastic Men, is my first published book, and it’s nonfiction.
My process was very focused. While KJ Publications has made a name for itself publishing excellent novels—largely thanks to my small press partner in crime, my boy, Darrell King—my job here is usually on the COO side, not the creative side.


How many unpublished and half-finished books do you have?


When the idea for this particular book came, it was an all-consuming project. I didn't have the luxury of having three 'practice novels' in a trunk somewhere like fiction writers sometimes do. Every moment I had was dedicated to research, writing, and making sure this one core argument was absolutely rock-solid. So, there are no half-finished manuscripts, no abandoned concepts. There was just this one book, and I poured everything I had into getting it right."My proudest moment came a few months ago. I got an email from a reader, a man who runs a small local business. He told me that he'd been struggling with the concept of being a 'Plastic Man'—the man who prioritizes superficial success and outward performance over his own integrity and inner life.
 


About the Author

 

 Mr. Jones is entrepreneur with well over 33 years in the U.S. government and knows how to operate a successful business. He has had experience as well in the entertainment field. During the late 1970s' and much of the early 80s' Mr. Jones affectionately known to his many friends and loved ones as 'June' or 'Jonesie' collaborated on various singles by several local DC area recording artists and has mentored underground rap star "D Young". A phenomenal businessman who loves people and live talk radio Elbert Jones Jr. is a great access to KJ Publications,Inc..


Contact Link

Website


Purchase Link

Amazon



RABT Book Tours & PR
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Thursday, November 6, 2025

Book Blitz: Murder on the Squid Row Run by Julia Shovein #mystery #rabtbooktours @RABTBookTours
10:00 PM0 Comments



Mystery

Date Published: June 10, 2025

Publisher: MindStir Media



Set sail for suspense in the thrilling first installment of the Sailing Mystery Series!

In Murder on the Squid Row Run, oboist Georgiana Quilter is finally hitting her stride—with a dream orchestra job and a new apartment. But when she agrees to pose as a celebrity’s girlfriend during a glamorous international sailing rally, things take a dark and deadly turn.

A body turns up on board. A child disappears. A saboteur strikes. As the Squid Row Run heads from San Diego to Cabo San Lucas, Georgiana races to uncover secrets buried at sea—all while navigating a fake romance that’s becoming dangerously real.

Perfect for fans of cozy mysteries, strong female sleuths, and nautical adventures, authentic maritime details inspired by the author’s own seven-year circumnavigation. Suspense, wit, and danger at every port

 

“… action-packed with a pitch-perfect ear for all the craziness of an international sailing rally.”
—Cap’n Fatty Goodlander, Cruising World Magazine

 

Love mystery series set on the water? This is your next great read.



Series on Amazon

 


About the Author

 

 Author Julia Shovein brings authenticity and edge to her mystery novels, drawn from a life spent at sea and in service. After a thirty-year career as a university professor of nursing (Professor Emeritus), Julia retired and embarked on a global sailing adventure with her husband, circumnavigating the globe over seven years.

She lived and wrote in exotic locations like New Zealand, Turkey, and London’s St. Katherine Dock. Upon returning home to Paradise, California, Julia and her husband narrowly escaped the devastating Campfire wildfire. These life-altering experiences shaped her writing—and her heroine, Georgiana Quilter.

Now living in Bremerton, Washington, with her husband Horst and husky Blue, Julia is a proud member of the Poulsbo Yacht Club. She’s truly, as Cruising World puts it, “the real thing.”

 

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Teaser: Carrie Ingalls - The Forgotten Sister by Clarissa Willis #excerpt #teaser #nonfiction #juvenilefiction #childrensbook #rabtbooktours #giveaway @RABTBookTours
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Non-fiction Chapter Book Juvenile Fiction

Date Published: 10-30-2025

Publisher: Solander Press



While her sister Laura chronicles their life on the frontier, Carrie Ingalls forges her own path. This is the story of the “forgotten” sister, a frail child who grows into a resilient woman of the American West. From the hardships of pioneer life, Carrie emerges as an independent journalist, newspaper editor, and landowner, quietly shaping the futures of fellow homesteaders and proving that strength comes in many forms.


Excerpt

 Chapter Six A Single Bag of Wheat

On October 15, 1880, a fierce blizzard struck the Dakota Territory. It soon became clear that the Ingalls family could not survive the coming winter in a one-room shanty.

First, Charles took his haystacks to town in the wagon. Then he returned to the shanty, and he and Caroline packed the wagon with their few pieces of furniture, bedding, and clothes. They returned to town and moved back into the rooms above the small store Charles had built. The good news was that Laura and Carrie could go to school.

A lot had changed over the summer while they lived in the shanty. The school had been completed and opened on November 1, 1880. Laura and Carrie were two of the first fifteen students to attend De Smet School. When another blizzard hit during a school day, Laura and Carrie struggled to find their way back to where they lived.

Settlers depended on the train for their supplies. Not only did they get food delivered daily by train, but they also received mail and, most importantly, coal for fuel. Charles and the other men from town often shoveled snow from the tracks so the train could reach the station.

As the blizzards continued into January 1881, the railroad made a decision that significantly affected Carrie and her family. They would not deliver more supplies until spring and would cease operations for the winter.

The school was shut down because there wasn’t enough coal to keep the children warm, and soon food became scarce in the town. Food prices rose sharply, with flour costing $50 a pound, and the last few pounds of sugar selling for $1 a pound. Without coal, the Ingalls burned hay twisted into bundles. As their kerosene ran low, they burned the oil lamps less and less at night. But a good deed by Charles may have saved the family.


About the Author

 


 Award-winning author Clarissa Willis writes children's books. She has authored four picture books and one chapter book. Bloomers on Pike’s Peak, the story of Julia Archibald Holmes, received a Will Rogers Medallion Award and was a finalist for the Women Writing the West 2025 WILLA Literary Award in Children's Picture Books. Her book Fast as the Wind: The Story of Johnny Fry Pony Express Rider won a Will Rogers Medallion in 2023. The Three Little Pigs and the Not So Big Bad Wolf, released in early 2025. It tells a familiar story with a new twist. She believes childhood is a journey and strives to make it joyful through her books and public speaking.

Clarissa loves traveling and has a special connection to the American West. She finds inspiration in the red rocks of Sedona, Arizona, and the Rocky Mountains of Colorado. In fact, her next book, Not from Around Here, is set in Sedona and chronicles an unusual friendship between a young cowboy and his friend from far away.


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Wednesday, November 5, 2025

Book Blitz: Alan Hovhaness by Hinako Fujihara Hovhaness #nonfiction #biography #giveaway #rabtbooktours @RABTBookTours
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Unveiling One of the Great Composers of the 20th Century


Biography
Date Published: October 28, 2025           
Publisher: Peanut Butter Publishing


In the year 2000, after Alan’s death, Hinako Fujihara-Hovhaness started writing poems, which was the only way she could cope with her great loss. They were written with her limited English, yet they were spontaneous and poignant, straight from her heart. After she had written hundreds of poems, it was not enough. Hinako started writing stories from my memories about Alan, events she had experienced with him.

To Hinako, “Alan was a master of counterpoint and an intellectual, yet he had many different sides to his personality, from being a polite, distinguished gentleman to a wild savage, idealistic, and old-fashioned man to sexy womanizer. He understood human nature and emotion, and I think that is why his music touches people’s hearts and is loved by them, even though his music is built on an intellectual foundation”.


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Release Blitz: Kennedy Sloane Gets Scooped by Caila Klaiss #romance #womensfiction #contemporary #newbooks #releaseday #giveaway #rabtbooktours @RABTBookTours
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Contemporary Women's Fiction/Contemporary Romance

Date Published: November 6th, 2025

Publisher: Acorn Publishing



Faster than details break in a news story, Kennedy Sloane gets scooped.

On a rainy Manhattan afternoon, career-obsessed writer and news producer Kennedy loses the interview that was guaranteed to catapult her to senior producer status. Hours later, revered and feared book editor Muffin Evans, aka the Manuscript Eater, shelves the publication of her promising debut novel.

Over a night of tears and too many glasses of wine, Kennedy responds to an internet ad for a villa on the picturesque island of Hilton Head. She books a five-week “hiatus from life,” to focus on herself, free from distractions.

However, soon after arriving on the island, J.P. Long catches Kennedy’s hesitant eye. Despite a series of serendipitous encounters around the romantic oasis, Kennedy knows there’s no room in her life for a charming professional golfer turned businessman who is battling his own personal and professional insecurities.

But maybe he’s worth the trouble.

If there’s one thing Kennedy’s learned, it’s that life rarely happens as expected, and sometimes, the best stories unfold when you stop chasing the perfect headline.

  

About the Author

 


 A graduate of Fordham University, Caila Klaiss is an award-winning network news producer who spent seventeen years crisscrossing the country to cover breaking and developing stories for platforms across ABC News. The bulk of her career was spent producing true crime documentaries for 20/20.

Since making the difficult decision to leave a career she loved, Caila has pursued her other life-long dream of becoming a writer. When she is not reading, writing, or researching, Caila recharges by practicing yoga.

Born, raised, and currently living in northeastern Pennsylvania, Caila is a New Yorker at heart whose happy place is a warm sandy beach, under a palm tree.


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Book Blitz: The Philosopher’s Guide to Life, Suffering and Kidney Stones (but Mostly Kidney Stones) by Carmin M. Kalorin M.D. #nonfiction #health #rabtbooktours @RABTBookTours
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Nonfiction / Health

Date Published: June 5, 2025


 


 Let’s face it—life throws rocks at all of us. Sometimes metaphorical, sometimes literal, and occasionally they hit you directly in the kidneys.
 
Welcome to the survival guide you didn’t know you needed—for pain, philosophy, and the Dirty Rotten Bastards known as kidney stones.
 
Written by Dr. Carmin Kalorin, a board-certified Urologist and Navy Veteran with a sharp sense of humor and a well-loved copy of Marcus Aurelius’s Meditations, this book is equal parts medical manual, philosophical deep-dive, and brutally honest pep talk. From ancient Greek tragedy to Zen detachment, from Schopenhauer’s existential gloom to modern pain meds that actually work, Dr. Kalorin arms you with science, insight, and just the right amount of sarcasm to help you endure the worst pain imaginable—and maybe even grow from it.
 
Inside, you’ll discover:

●  Why kidney stones hurt so damn much (hint: it’s not just the jagged edges)

●  How to suffer like a philosopher—or just survive like a human

●  What Stoics, Buddhists, and Navy SEALs can teach us about pain

●  How to stop these unholy invaders from ever coming back

 

Whether you’re mid-attack, recovering, or just preparing for the day your body decides to throw a mutiny, The Philosopher’s Guide to Life, Suffering, and Kidney Stones offers clarity, catharsis, and some much-needed laughs—because if suffering is inevitable, we might as well face it with wisdom and a plan.
 
Grab some water (seriously, hydrate), settle in (writhing optional), and turn the page. You’re not alone!


About the Author


Carmin M. Kalorin, M.D. is a board-certified urologist and founder of the Kidney Stone Center in Raleigh, North Carolina, one of the highest-volume kidney stone treatment centers in the nation. Over the past decade, his team’s dedication to patient-centered care has placed the center in the top 1.5% nationally for stone treatment volume.

With over 20 years of experience specializing in minimally invasive surgery and kidney stone management, Dr. Kalorin has seen firsthand how painful and life-disruptive kidney stones can be. His mission goes beyond treatment—he is passionate about empowering patients through education. By helping people understand why kidney stones form, how pain develops, and what prevention truly looks like, he believes patients can reclaim control over their health.

That philosophy led to his book, The Philosopher’s Guide to Life, Suffering, and Kidney Stones (but Mostly Kidney Stones)—a blend of practical medical insights and timeless philosophical wisdom. Drawing from thousands of patient conversations, Dr. Kalorin translates complex medical science into approachable, often humorous lessons about resilience, suffering, and the human condition.


Equal parts clinician, teacher, and philosopher, Dr. Kalorin writes with the conviction that knowledge is the most powerful tool in medicine—and that even life’s sharpest pains can reveal deeper meaning.


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Virtual Book Tour: The Well-Tempered Violinist by Barbara T. Carlton #bookreview #historical #fiction #giveaway #rabtbooktours @RABTBookTours
4:00 AM1 Comments

 




Book 1 of The Gift

 

Historical Fiction

Date to be Published: November 5, 2025

Publisher: Acorn Publishing


Marthe Adler dreams of making history as a great violinist. But in 1905 Germany, tradition and deep-seated prejudice against women musicians stand in her way. To make matters worse, her beloved father’s sudden death shatters her family’s comfortable life, pushing them to the edge of poverty.

But the violin Marthe’s father left her is a constant reminder of the profound bond between them, and it gives her the strength to begin healing. When the Köln Conservatory offers her an unexpected scholarship, she seizes her chance to reach for excellence.

Under the rigorous tutelage of Professorin Wolff, and subjected to predatory harassment by a fellow student determined to destroy both her self-worth and her chances of success, Marthe quickly learns she will need more than motivation and talent to rise to the top.

Filled with heart, wit, and music, The Well-Tempered Violinist is an enduring coming-of-age tale about an artist striving for greatness against enormous odds.

 


Interview

What is the hardest part of writing your books?

Have you ever been in a cave—not near the entrance—and turned your headlamp off? That is the darkest dark I’ve ever been in. A lot of writing this story felt like I was in that cave with only the very tiniest headlamp. I could only see a single step ahead, maybe enough to write the next line, or think of a possibility for where to go next.

I did have what one of my writing teachers call “islands”: things I thought would take place at particular points, and so I wrote those, and then, inching through the dark cave with my tiny headlamp, I tried to connect the islands. As often as not, what happened between islands changed the islands themselves, but that was fine. The main thing was to get there.

Another metaphor for the process is building up an oil painting with layer upon layer of thin, translucent paints to get to the final level of complexity and inner luminosity. Every layer adds something to the finished work.

Also, the logistics of a story of this magnitude are daunting. The Gift quadrilogy includes a lot of characters, several families, and unfolds over a substantial period of time. So, there’s an abundance of personal histories and dates. I ended up making family trees. I made a spreadsheet so I could keep track of what was happening to whom and when. It was all way too much for my unassisted brain.



What are your most played songs?

This book is about music and musicians and their training. So, I didn’t have a favorite writing tune, but I listened to every piece of music I wrote about, often as I was writing about it. YouTube became my friend.

In addition to a glossary and a list of composers, there is a complete list of musical compositions in the back of the book. My website has, or will shortly have, a playlist of YouTube links for each of these compositions, with additional comments. I encourage readers to listen to them. They may find something they really like! At the very least they’ll hear what Marthe was hearing, though with different ears.

 

 

Do you have critique partners or beta readers?

This project started out as a class assignment for my short fiction class at Grossmont Community College (I know, right? How did short turn into a quadrilogy??!) and then began its expansion into a novel a few years later in a novel-writing class there. So, in classes, we workshopped. That’s tough with a novel, though, because you’re only seeing a little snippet of the work, without much context.

 

When I had what I thought was a really solid draft of the whole quadrilogy (I was wrong), two friends who didn’t know what they were in for agreed to be beta readers. One in particular I asked for help because several of my characters are secular Jews, and her parents’ families were Holocaust survivors. Her father escaped from Vienna as a child on the Kindertransport to England. I’m not Jewish, and I wanted to be sure I had the overall tone right. Her approval gave me a lot of confidence.

 

Curiously, my other friend also had Jewish ancestry—but he hadn’t known it until he was an adult. And he was less comfortable with the level of secularization and assimilation my characters embody. But my research indicated that German Jews in the early 20th century were the most highly assimilated in Europe. So, I took his comment seriously, but in the end I kept things largely as they were.


My third beta reader was my daughter. She was a demon for missing punctuation, but otherwise I think she was pretty gentle, for better or for worse.

 

 

What book are you reading now?

Something totally different! Mark Twain, The Innocents Abroad, his breakout book from 1869. I love his dry wit, and also that he is capable of being awed by things and expressing that, as well as being underwhelmed by other things. He’s far more than a provincial jingoist. But before that I just finished Ben Shattuck’s beautiful story collection The History of Sound: paired stories connected over decades or centuries by some event or object, in which it’s up to the reader to connect the dots and figure out what has not been told. I love stories that contain clues to the real story but don’t tell it.

 

 

How did you start your writing career?

When my younger child was graduating from high school in 2013, I was looking around for something new to learn. I decided against trying to re-start piano lessons—45 years is too long to let an art practice go and the frustration always defeated me. For the same reason I decided against trying to re-learn drawing and painting. Also, that path leads to a real inventory problem, namely a house full of unsatisfactory paintings that nobody wants. I always enjoyed writing but had never studied it, so I signed up for classes at my local community college, a great program, great teachers, and a tremendous value. I would recommend community college to anyone. One class per semester, and eight years later, I’d taken everything they had as many times as I could. And then we had a pandemic. Writing gave me something to hold onto, a reason to get up in the morning and a way to stay sane, one step at a time through the dark cave with my tiny headlamp. I didn’t call it writing a book—too intimidating. I called it playing with my imaginary friends and let people think what they wanted. My last class had been novel-writing, and these characters had wandered into my head and taken up residence there. They were clearly not going anywhere until I had told their story, and possibly not even then. I suspect I will have them with me always. It’s fine. They are really interesting people to know, even if I did make them up.

 

 

Tell us about your next release.

Like I said, The Gift is a quadrilogy. So the next release will be Book II, whose working title is No Path Through The Forest. It is the story of the next phase of Marthe’s life, the turbulent second decade of the twentieth century. Let’s just say it’s not an easy decade. I hope your readers will enjoy Book I and be on pins and needles for Book II! And Books III and IV after that, of course!



About the Author


Retired architect Barbara Thornburgh Carlton is an author of fiction, nonfiction, and poetry. Though not a musician, she remains music-adjacent as a volunteer for the San Diego Opera and the Orcas Island Chamber Music Festival in Washington. The mother of two grown children who are remarkably considerate about keeping in touch, she lives in San Diego, California, with her photographer husband, Barry.

The Well-Tempered Violinist, Book 1 of The Gift series, is her first novel.

 

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Instagram: @btcarlton_writer 


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