Crime Fiction, Urban Fiction, Noir, Drama
Release Date: September 18, 2020
Publisher: TouchPoint Press
The White Field is a fast-paced journey of a man, Tom, fresh out of prison
and trying desperately to rebuild his life. But he is caught by mysterious,
unseen forces beyond his knowledge or control. After his release from
prison, he is dropped back into the world in the wastelands of the city. In
the menial work afforded the underclass, he begins his new life among
characters at the edges of society, dwellers of the netherworld such as
Raphael, a former cop from Mexicali singing Spanish arias in the mists of
the industrial night among drug addicts and crooked cops; Tony, a stoner
scholar with an encyclopedic knowledge of history based solely on the
intricate study of rock and roll; and Larry, the bloated, abusive manager
trapped as much as his workers in a world of tedium and repetition and
machines. Think, The Three Stooges on acid. Unable to reconnect with
what’s left of his family, Tom embarks on a criminal path more
harrowing than the one that led him to prison in the first place. Lured in
by the nefarious, Thane, he slips into a plan that will leave him with no
way back. And with no place left in this world to go but prison, he makes
one last run for freedom. Will he escape?
Praise for The White Field:
“The White Field is a rabid yet tender odyssey into the oscillating
abyss of an ex- convict degenerating into redemption. Cole writes with
haunting splendor, illuminating the dreams of the doomed.”
—Matthew Dexter, author of The Ritalin Orgy
“Author Douglas Cole’s breakneck prose places us squarely in
the hectic mind of a man influenced from all sides, seeking a life free from
fear. The result is a stunning narrative that is simultaneously frightening
and familiar.” —Kerri Farrell Foley, Managing Editor Crack The
Spine.
Excerpt
I walked into the sun. It seared the road and the rooftops, intense,
blinding. I went up Eighty-Eighth Street through the homes and the old elms
with their heavy summer growth and darkness along their limbs, light
strobing through the shadows. I knew someone might recognize me. They might
even call the police. But I couldn’t resist. I was free, now. Nobody
could touch me.
Only those who cared, and by now there were none, would have known my
release date. My wife may have known. At one time, I imagined her writing it
on a wall calendar, marking off each day leading up to it with a big, black
X. But I knew I’d fallen far from her thoughts.
I couldn’t be sure of my children, though. They were so young when I
went in they could have forgotten all about me. My wife had remarried. Very
likely they called her new husband daddy. Very likely, they thought he was.
Events had erased me. After all, I’d made no contact. And while I had
no idea what my wife might have told them, unless she’d changed in
ways I couldn’t foresee, I knew she’d tell them the truth if
they asked and say nothing if they didn’t. At worst, they believed I
was dead.
And that life seemed like something unreal. There were no traces of it
around here. But my sense of time was way off. From counting, literally,
minutes as they passed, I went into a vast timeless trancezone where whole
years vanished. In the midst of this, I reemerged from time to time to peer
into my little cell of life with seconds hanging like drops of water on a
window ledge and refusing to fall. But now, walking this street, I was the
last person anyone around here was expecting to see.
So, as I went up Eighty-Eighth to the old house, I had this strange feeling
that I was invisible. In the dusk light, I saw the windows of the houses
blazing. Commuters on their way home shot by and curved around the meridians
in the intersections, their faces steel traps that snapped and flashed
mirror eyes and grim lips and frenzy, frenzy for home, motion so fast they
blurred into tracer ribbons. And the sun only cloaked me that much more.
Even my shadow was a rail.
And I heard it, that high tension ping, like my own past ringing from the
driveway and those days when I was a kid, too, playing into evening as our
faces disappeared in the darkness with only the square of the backboard
above and the black sphere of the ball and the heat and breath of the other
players around me. Then I saw them, three boys playing basketball in the
driveway. One was a tall gangly kid with long black hair and ripped jeans
and a T-shirt with the word ENEMY printed on it. Another kid stood beside
him, but the light made it hard to see his features. Then, the ball landed
on the rim, bounced up, arced over to the other side of the rim, hung there
suspended in the net for a moment and then dropped through. The third boy
stood back from his shot with his hands on his hips, breathing hard, turning
his head slowly as I saw, I swear, my own face there in front of me.
With a brow of concentration like a hawk’s predatory gaze, he looked
at me as our eyes locked for an eternal moment that I thought carried some
recognition, but the moment changed before I could read it.
Then, I was passing on, and my son returned to his game.
About the Author
Douglas Cole has published six collections of poetry, a novella and has a
novel, The White Field, coming out in September with Touchpoint Press. His
work has appeared in several anthologies as well as The Chicago Quarterly
Review, The Galway Review, Bitter Oleander, Louisiana Literature and
Slipstream. He has been nominated twice for a Pushcart and Best of the Net
and received the Leslie Hunt Memorial Prize in Poetry. He lives and teaches
in Seattle. His website is https://douglastcole.com/.
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